A Closer Look:

Rudolf Ernst, Musicians at Rest

Orientalism can be defined as a complex historical and cultural event which evolved throughout the nineteenth century. The early visions dreamed by French Romantic painters presented the Orient simultaneously as a place of barbarity and violence but also of culture and opulence. Harems were filled with languid sitters adorned in great bejewelled finery, all set against the backdrop of highly ornate exotic interiors and landscapes. Slightly later, more faithful representations of the Middle East and North Africa as captured by European artist travellers presented contrasting images of real-life characters and street vendors, architecture and landscapes. Finally, the European studio artists drew on first-hand experiences of their travels in order to elevate the objects, costume, crafts and interiors of the Orient into a sumptuous celebration of workmanship, colour and texture.

The present work by Rudolf Ernst falls into the latter of these categories, with his Orientalist paintings being inspired by his studies of the Moorish architecture of Southern Spain, and by his visits to Tangier and Constantinople. Scroll down for a closer look at some of the exquisite details to be found in this highlight from our 14 June Orientalist Art sale.

In this work, two beautifully dressed musicians recline in a richly decorated interior populated with a broad spectrum of objects and crafts.

Like the work of his great friend and contemporary Ludwig Deutsch, Ernst surrounded himself with objects, textiles and artefacts collected during his travels, and it is these that are props which populate his paintings. He also visited the extensive Exposition d'Art Musulman, held in Paris in 1893, which would have provided endless inspiration.

The wall is adorned with vibrant Damascus tiles, a celebrated Islamic art form, popular with Western collectors in the 19th Century. Examples of Damascus tiles can be seen at Leighton House Museum in London.

A vase of flowers sits atop an octagonal mother of pearl-inlaid Damascus table.

Beside the tiger-skin rug sits a metalwork brazier. Braziers played an important role in the ceremonials of court life, providing a source of heat, while also used as incense burners.

Many Orientalist artists used Arabic script as a means of decorating the walls of their interiors. Here, Ernst has used kufic script, incorporating a passage from the Qur’an as part of the decoration. The central part of the script reads ‘I swear by the shelters of the stars (a mighty oath if you but knew it)’ (Qur’an, sura 56, verse 76).

One of the musicians holds a tambourine, the other has a kemençe, a stringed instrument typical of the Eastern Mediterranean, usually played with a bow.

The resting musicians recline upon a day bed, upon which is draped a Caucasian rug, probably a Kazak, the distinctive ‘cup and leaf’ border showing.

This painting is coming up for sale in our Orientalist Art auction on 14 June. Browse the sale and register to bid now or contact leo.webster@bonhams.com for more information.